FRANCESCA LOWE

(BORN 1979) LONDON
CURRICULUM VITAE

Francesca Lowe's new paintings, from the series titled 'Flush' have just been installed at
The House of St, Barnabas, 1, Greek Street, London W1D 4NQ 0207-437-1894

for opening hours: www.hosb.org.uk or call Riflemaker: 07794-629-188

FRANCESCA LOWE: 'Flower Paintings' (2014)

This new series of paintings by London-born Francesca Lowe developed through the artist thinking about the term "still life" - the words "still" and "life" and the polarity between them. The paintings explore ways to infect stillness with life and life with stillness.

Visually, a 'cut' bloom, a 'still' photograph, a floral 'motif' (quiet, truncated elements) and applied layers of pattern operating at different physical depths within each painting, create visual oscillations. Some aspects of the images and patterns are familiar (sampled from Op art, wallpaper, clip art, curtains; 'pop culture' references). This familiarity lends itself to the very idea of stillness, perhaps due to its relation to known-ness. The loop of 'known-ness' or 'what we are used to' disrupted, turned unfamiliar and then lost is what Lowe appears to be interested in depicting as it echoes the ebb and flow of "life" itself.

Riflemaker London - 07794-629-188 www.riflemaker.org


FRANCESCA LOWE
No. 1 oil on canvas, 71.5 x 56cm, 2013
FRANCESCA LOWE
No. 2 oil on canvas, 61 x 48.5cm, 2013
FRANCESCA LOWE
No. 3 oil on canvas, 61 x 48.5cm, 2013
FRANCESCA LOWE
No. 4 oil on canvas, 61 x 48.5cm, 2013
FRANCESCA LOWE
No. 5 oil on canvas, 61 x 48.5cm, 2013
FRANCESCA LOWE
No. 6 oil on canvas, 61 x 48.5cm, 2013
FRANCESCA LOWE
No. 7 oil on canvas, 61 x 48.5cm, 2013
FRANCESCA LOWE
No. 8 oil on canvas, 61 x 48.5cm, 2013
FRANCESCA LOWE
No. 9 oil on canvas, 61. 5 x 56cm, 2013
FRANCESCA LOWE
No. 10 oil on canvas, 71.5 x 56cm, 2013
FRANCESCA LOWE


William Burroughs
Private View: Wednesday 19 February 6-9pm - exhibition ends Saturday 29 March

WILLIAM BURROUGHS 100

is the latest display of William Burroughs' visual art at Riflemaker.
The exhibitioe n celebrates what would have been the 100th birthday of the American novelist, short story writer, essayist, painter, sculptor and spoken word performer.
The works on show at Riflemaker will include his paintings on illustration boards and manila folders, 'stencil' drawings, wooden board sculptures and photography. Just five minutes walk from Riflemaker the exhibition 'Taking Shots' (Burroughs' little known photography work) has just opened at the Photographer's Gallery in Ramillies Street
(off Oxford Street) www.photographersgallery.com
for more: info@riflemaker.org 0207-439-0000 mob: 07794-629-188
----------------------------
William Seward Burroughs II (also known by his pen name William Lee; February 5, 1914 - August 2, 1997) was a primary figure of the Beat Generation and a major postmodernist author, he is considered to be "one of the most culturally influential, and innovative artists of the 20th century"
Burroughs' influence is considered to have affected a range of popular culture as well as literature. He published eighteen novels and novellas, six collections of short stories and four collections of essays. Five books have been published of his interviews and correspondences. He also collaborated on projects and recordings with numerous performers and musicians, and made many appearances in films.

Norman Mailer: "William Burroughs may be the only American writer who may be conceivably possessed by genius"



WILLIAM S. BURROUGHS
'Untitled' (23 Badge)
with 23 bullet holes
black felt marker on canvas (framed) (1993)
100 x 70 cm

WILLIAM S. BURROUGHS
'Red Pricks'
fluorescent spraypaint and stencils
on illustration board (1989)
62 x 45 cm

WILLIAM S. BURROUGHS
'Exhibit X'
Silver and white acrylic spraypaint
with gun and net stencils on card
58 x 44 cm, framed (1989)
      

Now

PENELOPE SLINGER

'Hear What I Say' (1971-1977)

EXHIBITION:

Ends on Wednesday 14 November

The art and the life of Penelope Slinger (b.1947 London) are inextricably interwoven. Hear What I Say is the second of three exhibitions focussing on the artist's early output; photographic collages, objects and sculptural works from the 1970s.

In 2009, her collages were exhibited at Tate St Ives as part of The Dark Monarch: Magic and Modernity in Modern Art, Tate, and in Angels of Anarchy: Women Artists & Surrealism, Manchester Art Gallery.

In these pieces, Slinger uses the tools provided by Surrealism to penetrate the female psyche, presenting herself as both subject and object in a group of collages and montages which sidestep the then current themes of 1960s and 70s art. Exhibited in London in 1977, the work's explicit depiction of 'feminine power' and its anarchic approach to life, challenged and provoked many of her peers as well as the critics. The artist left Britain in 1979, never to return; the Riflemaker exhibition being the first time the work will have been shown publicly in almost forty years.


Press information

Tot Taylor, Riflemaker
07794 629 188

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